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VNM Festival 2026

Open Frequencies: Day 2

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The annual VNM Festival returns with Open Frequencies, a three-day program spotlighting bold, globally engaged approaches to new music by artists working at the forefront of experimental, interdisciplinary, and cross-cultural sound practices.

OKKYUNG LEE (Korea/USA)

MEREDITH BATES (Salt Spring Island)

Featuring Korean cellist and composer Okkyung Lee, known for her innovative practice and improvisational work utilising visceral extended techniques on her instrument. Lee has taken a broad array of inspirations—including noise, improvisation, jazz, western classical, and her homeland's traditional and popular music—and used them to forge a highly distinctive approach. The evening opens with JUNO and WCMA award-winning violinist, violist, and composer Meredith Bates (Salt Spring Island).

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Okkyung Lee by Eun Chun

Artist

Okkyung Lee
Korea / USA

Okkyung Lee is a cellist, composer, and improviser who moves freely between artistic disciples and contingencies. Since 2000, she has worked in disparate contexts as a solo artist and collaborator with creators in a wide range of disciplines. A native of South Korea, Lee has taken a broad array of inspirations—including noise, improvisation, jazz, western classical, and her homeland's traditional and popular music—and used them to forge a highly distinctive approach.

While Okkyung is probably known best for her improvisational work utilising visceral extended techniques on her instrument, she has been creating various types of compositions and site-specific works, responding to its architecture, audience, or objects surrounding her, producing an immersive experience that also challenges the built-in hierarchy in traditional concert settings. She has appeared on more than 30 albums, including her latest solo cello release "나를 (Na-Reul)" on Corbett vs Dempsey, "Teum (The Silvery Slit)," written for Acousmonium by GRM and live cello, released on GRM Portraits/Editions Mego, and critically acclaimed "Yeo-Neun" on Shelter Press.
She has appeared on more than 30 albums, including a diverse variety of recordings as a leader, from the acclaimed solo improvisation effort Ghil, for Ideologic Organ/Editions Mego, or composition-driven collections like Noisy Love Songs (for George Dyer), released by Tzadik in 2011. She has collaborated with artists including Christian Marclay, Arca, Mark Fell, Marina Rosenfeld, Vijay Iyer, Arthur Jafa, The Swans, and worked at festivals and venues including Time Spans Festival, MoMA, Venice Biennale, Rewire, Unsound, MOFO MONA, Wiener Festwochen, Borealis Festival, and Donaueschinger Musiktage.

Currently Okkyung is a 2025 fellow of the DAAD Artists-in-Berlin-Program.

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Meredith Bates
Salt Spring Island
Canada

JUNO and WCMA award-winning violinist and composer Meredith Bates has firmly established herself as a vital force in the Canadian music landscape — equally known for her refined introspection, fearless experimentation, and generous spirit of collaboration. Based on Salt Spring Island, BC, Bates has built a dynamic, international career as both an ensemble player and a visionary solo artist. Over the past two decades, she has performed and recorded around the globe with Pugs and Crows (JUNO and Western Canadian Music Award winners), Like the Mind, and Gentle Party, while also contributing to projects by leading creative voices including Peggy Lee, Tony Wilson, Leah Abramson, Lan Tung, Ruby Singh, CR Avery, Joshua Zubot, and Ford Pier. Bates’s artistry is rooted in continual exploration.Her studies span the classical and experimental realms, from mentorship with Philippe Djokic and Carla Kihlstedt to participation in Jerry Granelli’s Creative Music Workshop and residencies at Fylkingen (Stockholm), Western Front (Vancouver), and Banf Centre for Arts and Creativity. Her creative leadership extends beyond performance. She is the founder of Like the Mind, a transnational sextet of female improvisers, and Sound Migrations, a multimedia project uniting electroacoustic soundscapes with photographic art. Her ongoing interdisciplinary collaborations also include digital media and musical works with experimental filmmakers Ana Valine, Mena El Shazly, and Mily Mumford. In 2019, she founded the Improvised Arts Society, supporting interdisciplinary artistic processes through the Listen, Listen Festival and West Coast String Summit.

As a solo artist, Bates released her debut double album If Not Now (Phonometrograph, 2019), earning praise from critics and a Polaris Prize long-list nomination. Her 2023, follow-up Tesseract deepened her reputation for expansive, emotive soundscapes — described by the Vancouver Sun as

“haunting and completely addictive” and listed among Bandcamp’s Best Experimental Music by Marc Masters. Tesseract was nominated for the 2023 JUNO Award for Best Instrumental Album of the Year.

Bates continues to balance her work as a performer, composer, and arts organizer, fostering the growth of Canada’s experimental music community through collaboration, mentorship, and innovation

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VNM Festival 2026

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